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Lin Fengmian Chinese Ink Painting Wallpaper Download
Lin Fengmian (1900-1991), a distinguished artist in Chinese ink painting, is hailed as a remarkable fusion of modern art and traditional Chinese painting. He created a unique style bridging Western and Chinese artistic influences, becoming one of the pioneers of modern Chinese art. Representative works like “Spring and Scenery Bright” showcase his distinctive abstract expressionism, profoundly influencing 20th-century Chinese art.
Autumn Forest (秋林)
This season, Christie’s is delighted to present “Bountiful Colours: Important Lin Fengmian Paintings from the Robert Chang Collection.” These paintings, characterized by their exceptional quality, rich palette, and unique compositions, have graced Chang’s collection for over three decades, adorning his home with their vibrant presence. Opera Figures, Dunhuang Dancers, and Autumn Forest stand out as some of the finest examples of the artist’s work ever brought to the market, representing the zenith of Lin Fengmian’s career across different stages of his life.
You can download all these wallpapers on Boring Day app:
Morning Glow Painting (晨曦图)
Born in Shanghai in the 1920s, Chang embarked on his entrepreneurial journey, opening a department store during his teens. However, the winds of change led him to Hong Kong in 1948 amidst the Chinese Civil War. Arriving alone, lacking academic credentials, and armed with just a suitcase and $24, Chang faced the challenges with a determined spirit. Despite having no friends, family, or initial fluency in English or Cantonese, Chang’s resilience found support from his father, a respected antique dealer in Shanghai. His father, serving as both teacher and inspiration, sent him valuable objects to sell at Cat Street Market, accompanied by notes explaining their significance and pricing.
Summer Days in Jiangnan (江南夏日)
As Chang established himself on Cat Street, he evolved into a pivotal intermediary between Hong Kong and Taiwan. With growing financial success and an expanding appreciation for antiques, he initiated his personal collection, focusing on ceramics and Chinese paintings. Actively acquiring during a period when antiques and paintings were relatively affordable by today’s standards, Chang, alongside contemporaries like T.Y. Chao, J.M. Hu, K.S. Lo, and E.T. Chow, played a crucial role in transforming Hong Kong into a prominent hub for Chinese art in the latter half of the 20th century. Running five stores by the 1960s, he became a key figure in the Chinese art and antiquities trade.
Autumn Colors (秋色)
In an era when private transactions dominated Hong Kong’s business landscape, Chang contributed significantly to reshaping the market. In the 1980s, he played a vital role in encouraging major auction houses to establish a presence in the city. His impact on the industry transcends his personal business achievements.
Beautiful Autumn Morning (美丽的秋晨)
Chang attributes his success to a relentless pursuit of knowledge. His commitment to continuous learning — whether through reading, engaging with other experts, or global travels to witness art in auctions and museums — reflects a profound passion for his subject and an ingrained work ethic. He emphatically states that retirement is not on his agenda, expressing his determination to work as long as he can and acquire items of interest, even at the age of 150, if he were to live that long.
West Lake (西湖)
The exquisite and refined colored ink masterpiece titled “Green Willows,” alternatively known as “Green Willows, West Lake,” or simply “Willows,” has been prominently featured in numerous publications highlighting Lin Fengmian’s significant body of work. Lang Shaojun, the author of the Lin Fengmian Album published by People’s Fine Arts Press of Tianjin, showcased this artwork in the 1950s. It continued to receive acclaim and recognition, making an appearance in the exhibit catalog for “The Approach of Lin Fengmian – Commemoration of Lin Fengmian’s Hundredth Birthday” in the 1960s.
Secluded Dwelling by the Willow Bank (柳岸幽居)
Regardless of the analytical context, critics unanimously concur that the painting “Green Willows, West Lake” likely reached completion during Lin Fengmian’s “Shanghai Period,” a time when he navigated his artistic endeavors alone, as asserted by Lan Shaojun. Within the artist’s extensive portfolio, “Green Willows, West Lake” stands out as a vivid portrayal of willow trees by West Lake in early spring, capturing a sense of refreshing vitality.
Maple Forest (枫林)
In this artistic creation, Lin Fengmian skillfully exhibits his proficiency in seamlessly merging ink color, watercolor, and ink techniques. Occasionally, he ventures into the use of oil color to experiment with the palette, enriching the portrayal of spatial atmosphere and the nuanced interplay of light and shadow. This nuanced approach results in a more concentrated artistic conception and evokes heightened emotional resonance. It is evident that this mode of expression bears the influence of Western impressionism, contributing to the richness and depth of Lin Fengmian’s artistic language.
Autumn Forest Reflected in the Mirror – Like Lake (秋林镜湖)
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Chinese Style Wallpaper – Boring Day
https://en.wikipedia.org/wiki/Lin_Fengmian
